L. S. Heatherly
L.S. Heatherly's portrayal of Natural Selection completes Darwin's! Heatherly's Vision of Natural Selection of Culture(theory-thesis) redefines Literature, Human Sciences, Social Sciences, Philosophy, Developmental Psychology: REVEALS pristine Human Nature, Spirit, Being and Reality--our Development, Evolution, Well-being, and Sustainability within Earth's Ecosystem-Habitats. Posts are Copyrighted. Major book: THE LAST HUMAN SPRING. isbn PB:9781401068349 HB:9781401068356 and ebook
Apr 24, 2013
Save the Wild? Save the Natural, Human Child!
.........................................................................................................................................
I.
To save the stream, the sky, the forest tree:
Save the infant child going lost, but once home free.
If children cannot eat? Love ain't served on Culture's table!
If children must now die? We've hit the tab of love: to disable!
Why must we and Earth-life die? We study all; but cease to encradle!
Babe crawls, talks, walks and grows by nurture-means of love.
Dance for rain and Sun, for all outside and sky above;
But first, dance for shoots of primal, spirit-innards-- dance for love!
II.
Stewardship is the scientific substitute for what we've lost,
Natural love of Earth-life, and Her true humanity.
In civilization, we learn through mainstream environmentalism, to think
that we are the stewards of the land, of living Earth, even of humanity.
In reality, the opposite is the case, and more.
The Living Earth is far beyond any stewardship of humankind-- she has
created us through the evolution of Life! And She will continue to sustain
us; if we merely renounce and cease our violations of her ecospere's
nurturings, as well as, our violations of our natural, human culture: our
human nurturome, originally, very slowly, selected for us through ions of
humanity's blueprinted map of cultural pathways into becoming human beings.
Love is thicker than blood. Blood carries the family through bio-rebirth.
But, there is no anemia of blood so fatal, as loss of love in family-community.
Love deficiency anemia is passed not by genes, but by cycle
of love-deficient culture, urbanely increasing generation to generation.
Human beings don't merely grow biologically, into human beings.
They, equally, grow socioculturally into human beings. The new-
born baby is helpless without its sociocultural blueprint for
relationship-born growth. Genome bears forth the brain-body growth;
nurturome(culturome) bears forth the social-cultural-being growth.
Science holds that food+shelter+sexual reproduction+ learning
= human evolution and development. No baby will eat without love!
The proof that love is nurturome-evolution: this is in the pudding not eaten.
II.
Earth-life has created us -- evolved us-- through becomingism.
We can see this, in microcosm, in the fertilized egg's process
of becomings, from zygote into fetus, into embyro, into birth of
a human organism-- baby's crying and reaching out for the baby's
takings in of human being's developmental, relational phenomena.
If some of the new-born baby's developmental nurturome is missing
through toxic, pathogenic decay; then, some of human being, in life's
due course, will be missing.
Some four billion years of the evolution of Earth's life is summarized,
and witnessed-- particularly the last 600 million years, the Cambrian
explosion-- in the embryo's process of becoming, thru fish, amphibian,
reptile, and mammal, into becoming a human organism-- becoming
a baby born waiting-- to travel its rightful human pathways, its birthrights,
from human organism into human being, spirit, nature, identity, eco-culture,
reality and humanity's role in Play of Earth-life.
2013 L.S. Heatherly
Mar 27, 2013
O Music, Fail Not Sweet Life on Earth!
I.
Ask not for whom the drum beats,
Guitar strums, fiddle bow rings,
horn blows, and piano man sings.
These should rightly sound for thee--
For Earth's life; for all Humanity.
II.
The Music, then, enters our life's relationships.
From memory's and longing's chord, melody slips
Into balance with life on Earth;
Renditions eco-spirit's rebirth,
Arrangements seek what life unfolds,
Taking stand as band for souls.
Enters natural village-protections,
Enters natural village-selections,
This orchestration, of humanity with Earth?
Music reaches for our natural rebirth!
III.
Take care, new music on artificial wing;
Fail not what soul would sing;
Be not false, elite artifact.
Honor ancient mission, meaning and tact.
Fail not spirit's human sociality,
Ritual, lore, love and culturality.
Fail not our organismicity's worth;
Fail not life-and-love-jeweled planet, Earth.
2013 L.S. Heatherly
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Feb 26, 2013
Robert Reich: Against Inequality
Fighting for the 99 percent: Former U.S. Secretary of Labor Robert Reich
speaks to Occupy San Francisco demonstrators at Justin Herman Plaza on
Oct. 19, 2011. Now teaching at the University of California, Berkeley,
Reich blames anti-union legislation and market deregulation for the yawning
chasm that has grown between America's wealthy and middle class since the
late 1970s. -- AP
Riech's advice for incoming Presidents, "Expand the Earned Income Tax Credit--
a wage suppliment for lower-income people, and finance it with higher
marginal income tax."
His ideas were the basis for Bill Clinton’s 1992 election campaign slogan,
“Putting People First” (they were both Rhodes scholars and he met Clinton
on board the boat to England; he once dated Hillary too, though he only
realized this when a New York Times journalist rang him up and reminded him).
And they were still there at the heart of President Barack Obama’s inaugural
address last month. America could not succeed, said Obama, “when a shrinking
few do very well and a growing many barely make it.” What Reich, basically,
has been saying for three decades.
And saying how, since 70 percent of the economy is based on the middle classes
buying stuff, if they don’t have any money to buy this stuff, it cannot grow.
Meanwhile, the government has allowed the super-rich, the “one percent,”
to take more of the nation’s wealth. Half of the United States’ total assets are
now owned by just 400 people — 400! — and, Reich contests that this is not
just a threat to the economy, but also democracy. [debilitating to democracy]
At heart “Inequality for All” by filmaker Kornbluff, is a revolutionary film-- in
its dearest desire to precipitate a revolution in the way that we think about
economic matters. "The economy, says Reich, is not like the weather.
An economy does not exist in nature. We don’t have to settle.” And,
crucially, it can be changed.
"I had never done anything political before,” says Kornbluth. “I didn’t consider
myself political. But seeing his example, the way that he has fought this
fight for so many years has been an absolute inspiration to me." Reich's
students "really do walk out of his lectures and want to change the world."
The film is structured around a lecture, or rather series of lectures: Reich’s
incredibly popular wealth and poverty class at Berkeley. But it is only
loosely used as a vehicle
The film threads together evidence that many people know about — the
increasing struggle of the middle classes to just get by, the way that the
top 1 percent of society has unshackled itself from the rest of us and has
seen its income increase exponentially, and the ever-increasing cost of
the traditional avenues of improvement, such as higher education.
Reich charts the three decades of increasing median income after World
War II, a period he calls “the great prosperity” and then examines what
happened in the late 1970s to put an end to it. The economy didn’t falter.
It kept on growing. But wages didn’t.
The figures that Reich supplies are simply gobsmacking. In 1978, the
typical male U.S. worker was making $48,000 a year (adjusted for inflation).
Meanwhile the average person in the top 1 percent was making $390, 000.
By 2010, the median wage had plummeted to $33,000, but at the top it
had nearly trebled, to $1,100,000.
We hear Reich tell his Berkeley class. “Something happened in the la
1970s. Something happened.” And much of the rest of the film is working
out what happened. Some inequality is inevitable, he says. Even desirable.
It’s what makes capitalism tick. But at what point does it become a
problem? When the middle classes (in its American sense of the 25 percent
above and below the median wage) have so little of the economic pie that it
affects not just their lives but the economy as a whole.
Reich’s thesis is that since the 1970s a combination of anti-union legislation
and deregulation of the markets contrived to create a situation in which the
economy boomed but less of the wealth trickled down. Though for a while,
nobody noticed. There were “coping mechanisms.” More women entered the
workforce, creating dual-income families. Working hours rose. And
increasing house prices enabled people to borrow. And then, in 2007, this
all came crashing to a halt. “We have exhausted all the options,” he says.
There’s nowhere else left to go. It’s crunch time.
People may not be familiar with the theory of income inequality but they
haven’t been able to avoid noticing that they’ve got less money in their
pockets. “I’ve always thought that kitchen-table economics is the most
important topic to most people,” says Reich. “Their wages, their jobs,
getting by. I’ve always tried to relate economics to where people live.
That’s why I was so excited about the film.” The human stories of working
American families struggling to cope are at the emotional center of the film.
He was bullied as a child “because that’s just what happens when you’re
small” and repeatedly beaten up. “It’s never been a conscious thing on my
part but that feeling of being bullied, and feeling vulnerable, has stayed with
me. And maybe it’s because of that that I can empathize with poor people.
Because they are the most vulnerable. There is no one to protect them.”
In the film, he tells how he made strategic alliances with older boys who
could protect him. And years later, he discovered that one of them had
traveled down to Mississippi to register voters and had been tortured and
then murdered. “That changed my life,” he says.
“He’s an incredibly smart guy" says Kornbluff, "and he could have found a
way to correlate that into money as so many people do. But he never has.
He has absolute integrity. He draws a modest salary. He has this absolute
moral compass. Riech is a philosopher trying to rectify economic injustice.
The world has changed in ways unexpected since 50s 60s hopes. We fell
victim to what Reich calls “the huge lie.” That the free market is good.
And government is bad. Government makes the rules, Reich keeps on
reminding us, over and over. And it decides who benefits from those rules,
and who is harmed. And unprecedentedly, the rich are oppressing the poor.
Perhaps the most surprising voice in the film is Nick Hanauer’s. He’s just
your ordinary, everyday billionaire. One of the 1 percent. Except that he
believes — like Warren Buffett — that he doesn’t pay enough tax. And
that hammering the middle class, the ones who buy actual stuff, who create
demand, which in turn creates jobs and more taxes, is simply bad for the
economy. The system simply isn’t working, he says. It’s put the millionaires
and the billionaires, the Nick Hanauers and the Mitt Romneys — the people
that Republican rhetoric describes as job creators — at the center of the
economic universe, rather than what Hanauer calls the true job creators —
the middle classes.
The problem is, he says, is that they’ve been attacked from every side.
He was one of the initial investors in Amazon, a business of which he’s
“incredibly proud,” but he points out that on revenues in the last three
months of 2012 of $21 billion, Amazon employs just 65,600 people. “If it
was a mom and pop retailer, it would be 600,000 people, or 800,000 or
a million.”
Globalization and technology have played their role. But so has the
government. For decades, under both Republicans and Democrats the
highest rate of tax didn’t dip below 70 percent. Now, Hanauer says he pays
11 percent on a six-figure income. Hanauer believes that if he was taxed
more, he would be better off, because his company — he’s a venture
capitalist and his family own a pillow factory — would sell more products,
and he would, therefore, make more money.
This is inequality that is being led from the top. Reich’s charts show that
for years, chief executives’ earnings kept in step with other employees.
And then in 2000-’03 “It went kerbluey,” by which he means off the charts.
Which is where it still is. This isn’t just an American problem. “If there was
upward mobility it would be OK,” says Reich in the film. “But 42 percent of
children born in poverty in the USA will stay there. In Denmark it’s 24 percent.
Even in Great Britain, where they still have an aristocracy, it’s 30 percent.”
It’s probably a shocking statistic for Americans to hear. The problem is that
by every index you can measure, inequality is worsening in Britain. Its now
taking the same path we took.
One of the key moments for Reich was the underinvestment in education,
particularly higher education in the ’70s. This was when America introduced
tuition fees for public universities and its workforce started to fall behind the
rest of the world’s. When opportunities for those from low- and middle-income
backgrounds began shrinking: precisely where the U.K. is today. It's not
just that wages have remained flat in America — as they have in the U.K. —
it’s that the expenses of everyday life have soared, in particular education
and health care.Last October, an independent commission in the U.K. led by
independent research and policy organization, Resolution Foundation,
predicted that in 2020 wages for low-to middle-income families would be the
same as they were in 2000. And yet everything else will have gone up. Britains
too are facing the crunch.
Reich was bullied as a child “because that’s just what happens when you’re
small” and repeatedly beaten up. “It’s never been a conscious thing on my part
but that feeling of being bullied, and feeling vulnerable, has stayed with me.
And maybe it’s because of that that I can empathize with poor people.
Because they are the most vulnerable. There is no one to protect them.”
In the film, he tells how he made strategic alliances with older boys who could
protect him. And years later, he discovered that one of them had traveled down
to Mississippi to register voters and had been tortured and then murdered.
“That changed my life,” he says.
“He has never cashed in,” says Kornbluth. “He’s an incredibly smart guy and
he could have found a way to correlate that into money as so many people do.
But he never has. He has absolute integrity. It’s almost shocking now for
someone not to do that. He draws a modest salary. He has this absolute moral
compass. And he’s still trying to change the world.”
The world has changed since the 60s and 70s. We fell victim to what Reich calls
“the huge lie.” That the free market is good. And government is bad. Government
makes the rules, Reich keeps on reminding us, over and over. And it decides
who benefits from those rules, and who is harmed. And increasingly, that boils
down to the rich and the poor.
Perhaps the most surprising voice in the film is Nick Hanauer’s. He’s just your
ordinary, everyday billionaire. One of the 1 percent. Except that he believes —
like Warren Buffett — that he doesn’t pay enough tax. And that hammering the
middle class, the ones who buy actual stuff, who create demand, which in turn
creates jobs and more taxes, is simply bad for the economy. The system simply
isn’t working, he says. It’s put the millionaires and the billionaires, the Nick
Hanauers and the Mitt Romneys — the people that Republican rhetoric
describes as job creators — at the center of the economic universe, rather than
what Hanauer calls the true job creators — the middle classes.
The problem is, he says, is that they’ve been attacked from every side. He was
of the initial investors in Amazon, a business of which he’s “incredibly proud,”
but he points out that on revenues in the last three months of 2012 of $21 billion,
Amazon employs just 65,600 people. “If it was a mom and pop retailer, it would
be 600,000 people, or 800,000 or a million.” Globalization and technology have
played their role. But so has the government. For decades, under both
Republicans and Democrats the highest rate of tax didn’t dip below 70 percent.
Now, Hanauer says he pays 11 percent on a six-figure income. Hanauer
believes that if he was taxed more, he would be better off, because his company—
he’s a venture capitalist and his family own a pillow factory — would sell more
products, and he would, therefore, make more money.
This is inequality that is being led from the top. Reich’s charts show that for
years, chief executives’ earnings kept in step with other employees. And then
in 2000-’03 “It went kerbluey,” by which he means off the charts. Which is
where it still is. And this isn’t just an American problem. "If there was upward
mobility it would be OK,” says Reich in the film. “But 42 percent of children
born in poverty in the USA will stay there. In Denmark it’s 24 percent. Even
in Great Britain, where they still have an aristocracy, it’s 30 percent.”
It’s probably a shocking statistic for Americans to hear. The problem is that
by every index you can measure, inequality is worsening in Britain.
One of the key moments for Reich was the underinvestment in education,
particularly higher education in the ’70s. This was when America introduced
tuition fees for public universities and its workforce started to fall behind the
rest of the world’s. When opportunities for those from low- and middle-income
backgrounds began shrinking: precisely where the U.K. is today.
It’s not just that wages have remained flat in America — as they have in the
U.K. — it’s that the expenses of everyday life have soared, in particular
education and health care.
Perhaps the unlikeliest thing about Robert Reich is how very chipper he is.
Even though, by every measure, inequality has got worse in the United
States since he started preaching his doctrine. He doesn’t seem to let it
get to him.
Riech tries to politely prod its people into looking at the world differently
rather than beating them around the head with a heavy wooden bat marked
“polemic.” But American politics has become so polarized, so ideologically
vicious, that it’s only a matter of time before it’s attacked by the right as
Stalinist propaganda. “But I’m used to that,” he says. “I’ve been attacked
at a personal level for the last 30 years. I’m just excited that this might
trigger a debate. Though I’m trying not to get my hopes up.”
Crunch time in the U.S. is looking ugly. Reich believes that both the Tea
party and Occupy movements spring from the same sense of anger and
frustration that people fear. That politics will become more polarized,
more extreme, more hate-filled. One of the key pieces of research that
Reich cites is a study of tax data by Emmanuel Saez and Thomas Piketty
which shows that the years of peak income inequality in America were in
1928 and 2007. Right before both crashes. “The parallels are striking,” he
says. It’s also striking what happened in the years after 1928. How in
Germany, to take a random example, worldwide depression also led to
a vicious polarization of right and left. And certain other outcomes.
And yet, despite, it all, he remains hopeful. “Change has always been
difficult,” he says. It’s why he teaches. If he can’t change the world,
maybe his students will. Or people who watch the film? I ask and get a
classic, understated, deadpan but not entirely unoptimistic Reichian
reply. “I’m trying to keep my expectations in check.”
-- condensed and edited from an article in
The Obverver by Carole Cadwalladr
Jan 13, 2013
Soul Songs: Humanity Retaken
Taking root, a song again long-stirs,
Freeing up souls of songsters;
Patient is the waiting spirit's hold
On universal, human heart and soul:
These songs, by nature's knowing of what's just,
Sprout from shared humanity deep within us.
Soul songs, deeper than personality, ego, career;
Wider than ethnocentricity and all fetters
Of nations, industries and language- letters.
Listen! Beyond the many ways love hardens,
Songwriters seed soul songs
Outside the annual, commercial song-gardens!
Sprouting sounds from heart's perennial ground,
Ringing out the universal, song-garden,
Singing shared humanity, unbound.
In the end, alone, one call is there:
To share or not to share,
To sing the soul
Or enter-tain a show,
To free or not to free--
To be or not to be.
Copyright L.S. Heatherly 2013
Freeing up souls of songsters;
Patient is the waiting spirit's hold
On universal, human heart and soul:
These songs, by nature's knowing of what's just,
Sprout from shared humanity deep within us.
Soul songs, deeper than personality, ego, career;
Wider than ethnocentricity and all fetters
Of nations, industries and language- letters.
Listen! Beyond the many ways love hardens,
Songwriters seed soul songs
Outside the annual, commercial song-gardens!
Sprouting sounds from heart's perennial ground,
Ringing out the universal, song-garden,
Singing shared humanity, unbound.
In the end, alone, one call is there:
To share or not to share,
To sing the soul
Or enter-tain a show,
To free or not to free--
To be or not to be.
Copyright L.S. Heatherly 2013
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Dec 23, 2012
Oh, Come All Ye Earthful
On the First
Day of Winter,
And midst Our
Season's Glee,
Earth-life glows,
In our Human Tree.
She maps our life--
As it used to be.
We behold not,
What conquest is:
But, Her pure work --
Our conscience, still, free.
* * * * * * * *
Ancient Map, 1200 Years-old
"....a rock containing what is believed to be an ancient map
has emerged in the Mississippi River in southeast Missouri.
The rock contains etchings believed to be up to 1,200 years old.
It was not in the river a millennium ago, but the changing course of
the waterway now normally puts it under water — exposed only in
periods of extreme drought. Experts are wary of giving a specific
location out of fear that looters will take a chunk of the rock or
scribble graffiti on it.
"It appears to be a map of prehistoric Indian villages," said Steve
Dasovich, an anthropology professor at Lindenwood University in
St. Charles. "What's really fascinating is that it shows village sites
we don't yet know about."
-- Jim Salter (AP) Yahoo News 12/22/12
L.S. Heatherly 2012 (poem)
Day of Winter,
And midst Our
Season's Glee,
Earth-life glows,
In our Human Tree.
She maps our life--
As it used to be.
We behold not,
What conquest is:
But, Her pure work --
Our conscience, still, free.
* * * * * * * *
Ancient Map, 1200 Years-old
"....a rock containing what is believed to be an ancient map
has emerged in the Mississippi River in southeast Missouri.
The rock contains etchings believed to be up to 1,200 years old.
It was not in the river a millennium ago, but the changing course of
the waterway now normally puts it under water — exposed only in
periods of extreme drought. Experts are wary of giving a specific
location out of fear that looters will take a chunk of the rock or
scribble graffiti on it.
"It appears to be a map of prehistoric Indian villages," said Steve
Dasovich, an anthropology professor at Lindenwood University in
St. Charles. "What's really fascinating is that it shows village sites
we don't yet know about."
-- Jim Salter (AP) Yahoo News 12/22/12
L.S. Heatherly 2012 (poem)
Nov 30, 2012
Ancient Roads Not Taken
Shall we think our greed is natural sensation?
These speeds swift and high, modern legend still upholds!
Spared artifice's power, spared greed's imagination,
Our fancy, bold, mighty, dead-end roads
Would be the roads still undiscovered, still not taken.
We un-selected Earthly roads, for roads that proved forsaken.
Come climate change, come social hell, come high water;
These new roads won't push our lust much farther.
Our grand schemes, civilization-centric charters,
Now bow down to Earth-life's ancient, humble alters.
2012 L.S. Heatherly
These speeds swift and high, modern legend still upholds!
Spared artifice's power, spared greed's imagination,
Our fancy, bold, mighty, dead-end roads
Would be the roads still undiscovered, still not taken.
We un-selected Earthly roads, for roads that proved forsaken.
Come climate change, come social hell, come high water;
These new roads won't push our lust much farther.
Our grand schemes, civilization-centric charters,
Now bow down to Earth-life's ancient, humble alters.
2012 L.S. Heatherly
Nov 1, 2012
Mother Nature Shows Up to Vote
A Deeper Calling, a Truer Vision: (photo: Rueters)
A Vote for Caring over Division
Mother Nature humbles through her hits,
Finds humanity above politics.
Brings together those we have chosen
To reassess to whom we are beholden
Wraps every human heart and soul
Around events of human pain she must unfold.
Mothers do affirm: we are better than
Our worldly thoughts, our party-partisans.
Higher, and deeper, than the civil world,
One heart and soul unfolds and unfurls,
Across one same Earth, shared home upon;
Born from marriage-joy of Earth with Sun.
Copyright 2012 L.S. Heatherly
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Oct 11, 2012
Studios of Love
When our human Soul breaks through --
Into lyrics, voice and tunes;
All make united love, come true.
All live together in a room
Next to human being's oldest loom;
One part of Human Soul, is reconceived
Through a passageway to rebirth, thus received!
Spring again our lovings so old!
All occuring in sound-hearing-speech room--
Recording studio of Soul.
Enter, then, all studios of old:
Babe, through breast and eye, is told;
Of Parents-children mealtime lovings,
Working, playing, ever bequeathing :
Family-love-community foreseeing.
Enter all studio life-flows.
In Human watersheds, Earthly-Humans know
That our replenishments of Love
Make human soul and grace still flow.
2012 All rights reserved
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